Macro · Structures & Institutions Stub 1935

The Work of Art in the Age of Mechanical Reproduction

발터 벤야민의 아우라 상실과 기술복제시대 예술

A foundational aesthetic and media theory demonstrating that mechanical reproduction strips artworks of their unique spatio-temporal "aura" (ritual authenticity), transforming art from esoteric cult value into mass democratic and political practice.

Field Aesthetics & Art Theory · Cultural Studies · Communication Studies
Level of analysis Macro · Structures & Institutions
Paradigm Critical Theory Structuralism
Key figures 👤 Walter Benjamin (발터 벤야민)
Year 1935

Key Claims

Walter Benjamin demonstrated that mass reproduction technologies (photography, cinema) emancipate art from parasitic ritual servitude. Stripping the artwork of its unique ‘aura’ replaces traditional cult value with display value, enabling collective political mobilization against fascist aestheticization of politics.

Further Reading

  • Benjamin, W. (1935). Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. (English: The Work of Art in the Age of Mechanical Reproduction).

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